WeimarCinema.org
SPRING EDITION 2023
Louise Brooks in G.W. Pabst's Pandora's Box (1929)
Note from the Editors
We’re pleased to present the Spring Edition of WeimarCinema.org.
While the previous edition focused on building an online archive for research and teaching, this
edition serves as a forum for online publishing on Weimar cinema in its broadest sense. The
new essays experiment with various forms of writing, ranging from short thought-provoking
pieces about individual films to articles about filmmakers, genres, and theoretical debates in
their international context.
We invite readers to contribute to the Fall Edition 2023, which is
planned for early October. If you would like to be notified about future editions and further
updates, please join our mailing list.
NEW IN THIS EDITION
Essays from
Tom Gunning on a forgotten late Expressionist film and its return as an American horror flick;
Pamela Hutchinson on G.W. Pabst’s Weimar films through the lens of film noir;
Leonardo Quaresima on marketing “expressionism” in Weimar cinema and the applied arts;
So Mayer on queer Weimar cinema and its rich British connections;
Tatjana Hramova on Samuel Beckett’s debt to Fritz Lang’s Weimar films
Michael Cowan and Anton Kaes on the mostly unknown genre of Weimar Shorts.
In Dossiers, Oksana Bulgakova explores the embattled reception of
Eisenstein’s Battleship Potemkin in Berlin in 1926. The dossier contains an introductory text and
extensive archival documentation (in German) of censorship records, reviews, and the debates
the film triggered about art and politics in general.
JUST PUBLISHED
Dr. Mabuse Today: The Centennial of Fritz Lang’s Dr.Mabuse, the Gambler
Screen vol. 64, Issue 1 (Spring 2023), 82-128.
A dossier edited by Ido Lewit, with essays by Iris Lupa, Maxfield Fulton, Thomas Leitch, Frances Guerin, and Regina Karl.